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Sharon R. Brown, CEO

Kansas City, Missouri

HISTORY OF AFRICAN AMERICANS & SEWING

Rosa Louise McCauley Parks - seamstress for the Montgomery Fair Department Store at the time she turned civil rights activist and refused to give up her seat.

 

 

Harriet Powers, the Athens, Georgia, seamstress created at least two powerful Bible quilts that bore strong similarities to West African textile arts, especially to the cloth trim from the Akan and Fon peoples.  She used an applique' technique to tell stories about her life as a slave.

 

Elizabeth Keckly (1817-1907)She was a master seamstress and brilliant fashion designer. She went from being a slave to dressmaker and friend for Abraham Lincoln's wife, Mary Todd Lincoln

 dress made by Elizabeth Keckley

 

Kadella - To the right is an image of a chintz cutout applique quilt made in 1810. The slave of Colonel John Carson, Kadella, made the quilt as a celebration of his marriage. She created the quilt according to traditional European applique standards of displaying ornate French lace in intricate patterns. However, she also included African tradition in her quilt by cross-stitching long, vertical, strip-like lines onto the quilt.

Kadella lived in a special house that Carson built especially for her across the river from the other slave quarters. Kadella was said to have been a princess from Barbados, and thus she was kept away from difficult labor and allowed to sew and knit. Kadella was well respected and loved not only by her master but by fellow slaves as well. She was said to have been transported by fellow slaves in a rickshaw wherever she went.

 

Jane Bond--to the left is a picture of slave woman Jane Bond braiding the hair of her mistress Rebecca. Although most likely a posed for photograph, both women took pride in making dresses for one another and braiding one another's hair. Jane Bond was born a slave in Kentucky, 1828.  Jane & Rebecca formed a very close friendship and shared much of their lives, including quilting. The two quilts below are two of the remaining quilts from over twenty that they made together for their children. Although both are traditional European strict patterns, they are made with bright contrasting colors and even the strict patterns are deviated from as seen in four of the squares in the quilt on the right.

   

Garrett Morgan--inventor of one of the first traffic lights and he also invented a zigzag stitching attachment for manually operated sewing machine. The son of former slaves, Garrett Morgan was born in Paris, Kentucky, his early childhood was spent attending school and working on the family farm. In 1895, Morgan moved to Cleveland, where he went to work as a sewing machine repair man for a clothing manufacturer; he opened his own shop in 1907. The company turned out coats, suits, and dresses, all sewn with equipment that Morgan himself had made. In 1920, Morgan moved into the newspaper business establishing the Cleveland Call.
 
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The Story Behind

AFRICAN AMERICAN QUILTS

African-American quilts (sometimes referred as "freedom quilts") serve as visual records of patterns of migration and settlement. Certain quilt patterns, pattern names, color palettes and construction techniques used by African-American quilters in various parts of the country are linked with those used by African-American quilters in southern states. Some scholars link those particular construction techniques to textile traditions found in West Africa. As families bring quilts to new places from other states or countries they bring with them the stories of the families they left behind.

Quilts serve in other ways as documents of family history. Numerous African-American quilts were made from clothing scraps of family members and were given as gifts on such family occasions as births, weddings and graduations. The history of particular people, places and events in communities is also documented in these quilts. Like photographs or album books, these quilts serve as documents of the relationships of certain groups at particular points in history.

There are a variety of common quiltmaking traditions found in the African-American community. These include recycling fabrics (from home and workplace) in quilts, using quilting to supplement household income and using quilts to raise funds for church, community, club or even national causes. Quilting has traditionally served as an opportunity for social interaction, affording important opportunities to share productive time with friends and family.

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Phyllis Wheatley - Known for her remarkable and candid poetry was also a seamstress!

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