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A Sewing
Kompany!
Sharon R. Brown, CEO
Kansas City, Missouri
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HISTORY OF AFRICAN AMERICANS & SEWING |

Rosa Louise McCauley Parks - seamstress for the
Montgomery Fair Department Store at the time she turned civil rights activist
and refused to give up her seat.
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Harriet
Powers, the Athens, Georgia, seamstress created at least two powerful
Bible quilts that bore strong similarities to West African textile arts,
especially to the cloth trim from the Akan and Fon peoples. She used an
applique' technique to tell stories about her life as a slave. |
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Elizabeth Keckly (1817-1907)She was a master
seamstress and brilliant fashion designer.
She went from being a slave to dressmaker and friend for Abraham Lincoln's wife,
Mary Todd Lincoln
dress
made by Elizabeth Keckley |
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Kadella - To the right is an image of a chintz cutout
applique quilt made in 1810. The slave of Colonel John Carson, Kadella, made the
quilt as a celebration of his marriage. She created the quilt according to
traditional European applique standards of displaying ornate French lace in
intricate patterns. However, she also included African tradition in her quilt by
cross-stitching long, vertical, strip-like lines onto the quilt.
Kadella lived in a special house that Carson built especially
for her across the river from the other slave quarters. Kadella was said to have
been a princess from Barbados, and thus she was kept away from difficult labor
and allowed to sew and knit. Kadella was well respected and loved not only by
her master but by fellow slaves as well. She was said to have been transported
by fellow slaves in a rickshaw wherever she went. |
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Jane Bond--to
the left is a picture of slave woman Jane Bond braiding the hair of her mistress
Rebecca. Although most likely a posed for photograph, both women took pride in
making dresses for one another and braiding one another's hair. Jane Bond was
born a slave in Kentucky, 1828. Jane & Rebecca formed a very close
friendship and shared much of their lives, including quilting. The two quilts
below are two of the remaining quilts from over twenty that they made together
for their children. Although both are traditional European strict patterns, they
are made with bright contrasting colors and even the strict patterns are
deviated from as seen in four of the squares in the quilt on the right.
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Garrett Morgan--inventor of one of
the first traffic lights
and he also invented a zigzag stitching attachment for manually operated sewing
machine. The son of former slaves, Garrett Morgan was born in Paris, Kentucky,
his early childhood was spent attending school and working on the family farm.
In 1895, Morgan moved to Cleveland, where he went to work as a sewing machine
repair man for a clothing manufacturer; he opened his own shop in 1907. The
company turned out coats, suits, and dresses, all sewn with equipment that
Morgan himself had made. In 1920, Morgan moved into the newspaper business
establishing the Cleveland Call.
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seamstress, Sharon Brown, wedding, gifts, personalize, digitize,
digitizing, karate, bridal, quilts, embroidery, belts, black
belts, monograms, register, sewing, registry, screen printing,
tailor machine, alterations, minority, business owner, CEO,
President, testimony, competitive price, pricing, elegant,
quality, professional, Karate Gi,
tablecloth, napkins, sheets, towels, letterman jacket, services,
sports, football, basketball, team, logo, create
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IF YOU HAVE A QUESTION,
JUST ASK!
Call
816-210-0915
or send an
email to
asksharonnow@yahoo.com
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The Story Behind
AFRICAN AMERICAN QUILTS
African-American quilts (sometimes referred as "freedom
quilts") serve as visual records of patterns of migration and
settlement. Certain quilt patterns, pattern names, color
palettes and construction techniques used by African-American
quilters in various parts of the country are linked with those
used by African-American quilters in southern states. Some
scholars link those particular construction techniques to
textile traditions found in West Africa. As families bring
quilts to new places from other states or countries they bring
with them the stories of the families they left behind.
Quilts serve in other ways as documents of family history.
Numerous African-American quilts were made from clothing scraps
of family members and were given as gifts on such family
occasions as births, weddings and graduations. The history of
particular people, places and events in communities is also
documented in these quilts. Like photographs or album books,
these quilts serve as documents of the relationships of certain
groups at particular points in history.
There are a variety of common quiltmaking traditions found in
the African-American community. These include recycling fabrics
(from home and workplace) in quilts, using quilting to
supplement household income and using quilts to raise funds for
church, community, club or even national causes. Quilting has
traditionally served as an opportunity for social interaction,
affording important opportunities to share productive time with
friends and family.
http://www.blackmissouri.com
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Phyllis Wheatley -
Known for her remarkable and candid poetry was
also a seamstress! |
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